point of view of visual awarenesses of the kind that have 
     to be used in an art museum the object is a unity that 
     cannot be broken down into separate qualities without 
     becoming merely a collection of abstractions that have 
     only conceptual existence and no actuality. In a funny 
     way words and their necessary linear syntactical order 
     forbid us to describe objects and compel us to use very 
     poor and inadequate lists of theoretical ingredients in the 
     manner exemplified more concretely by the ordinary cook 
     book recipes.

     Any phonetic alphabet culture can easily slip into the 
habit of putting one thing under or in another; since there is 
constant pressure from the subliminal fact that the written 
code carries for the reader the experience of the “content” 
which is speech. But there is nothing subliminal in nonliterate